"They screamin' 'black-on-black' as an excuse for you to not care 'til the cops roll up in their SWAT gear," amid dozens of other lines, are delivered with that laser focus only Kweli possesses. "She's My Hero," told over sorrowful soul-jazz from Oh No, regards the 14-year-old who shot and killed her abusive, life-threatening father after "They told the cops, but all that did was make him treat them rougher." A career highlight, it's also only one of many tracks on which Kweli asserts his stance against the school-to-prison pipeline and other forms of systemic oppression, as well as the mentality they sustain. Kweli persists as one of the most inspired storytellers, wasting no syllables as he condenses and elucidates complex non-fiction. "I got a doctorate in rockin' it," he proclaims on prime Kaytranada chop "Traveling Light." But if there's one line that encapsulates this compact set, it's "Documentin' the struggle, I'm huddlin' with historians," placed over the Alchemist's swirling soul, ideally suited for the dissemination of realism and wisdom. In Talib Kweli’s world, silence truly does speak louder than words.Seven months after he and Styles P released The Seven, Talib Kweli offered his eighth proper solo album, his first since 2015's Fuck the Money. Radio Silence, through its proverbial introspections and uplifting retrospection, seamlessly moves its message through the airwaves of our minds. This portfolio of political discourse keeps challenging and teaching long after the voices, piano riffs and handclaps fade away. Talib Kweli’s vision is so much larger than what we typically conceptualize. Of all the offerings not explicated here-“Chips,” “Knockturnal,” “Let It Roll,” “Write at Home”-by far, the standout is “Heads Up Eyes Open.” Dedicated to late rap promoter Kenneth “Headqcouterz” Walker, this part testimonial/part inspirational melody features not only mind-bending truthfulness on topics such as police brutality and protest rights, but also functions as a call for honesty and faithfulness because “the picture is so much bigger than what we could even imagine.” Indeed. Never one to ignore the heart strings for long, Kweli and BJ The Chicago Kid’s “The One I Love” reminds us that regardless of what’s going on, that one special person makes it all worthwhile. The lead single, “Radio Silence,” is a blend of Kweli and Myka 9’s exceptional cypher savvy interspersed with Amber Coffman’s haunting refrains. Jay Electronica of Roc Nation and powerhouse Yummy Bingham spin their consciousness right along Kweli, adding a multi-layered resonance reverberating past the very last strain of violin fade-out. “All of Us” unfastens the mood even further with its break-out sampling of a rally for justice. Paak’s smooth vocals into the track to compliment his message.
Unquestionably possessing a magical talent for deep lyricism, he brings Anderson. The second track, “Traveling Light,” thumps the pulpit of Kweli’s truth through musings about his own genesis towards the rap dimension. The philosophy continues to pour out of this rap statesman rhyme after rhyme.
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The song’s final chords fade away under Kweli’s assurance that “hip hop will flourish with nourishment and the proper care,” a parental line from one who has been there, done that, and knows how to make it last. It’s the Magic Hour,” layered on top of an upbeat piano riff sets the standard for the remainder of this Brooklyn phenom’s offerings. Kweli’s opening line, “Last one to fall asleep, first one to wake up. Opening with the ethereal sounds of strings and a choir, the tune carves its own place in the world of rap solely on these feature alone. The album unlocks with “The Magic Hour,” a song that introduces the album’s concepts and purpose through magical lyricism. In 2011 he founded his own label, Javotti Media, billed as “a platform for independent thinkers and doers.”* With an eye on social issues both past and present, Kweli offers us his take on 2017 with his latest, Radio Silence. Kweli is featured on Dave Chappell’s Block Party, both as an actor and a soundtrack artist. Kweli is no stranger to the scene-his first collaborative group, Black Star, was formed with Mos Def in 1997-and to date, he has worked with artists Kanye West, Pharrell Williams, Just Blaze, the Beastie Boys and Kendrick Lamar. Is it the current political atmosphere or possibly just time for the genre to once again acknowledge its roots? Whatever the reason, there is a conscious stream of artists dominating mainstream rap right now, and Talib Kweli is leading the way.
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